Analyzing the History of the Human Form through Art Research Paper

Analyzing the History of the Human Form through Art - research Paper ExampleThrough this analysis, this purpose of this paper will show how the focus of the humankind figure shifted from a reproductive sense in the prehistoric era to a stronger character representation in the Byzantine era. In order to work through this process, each era will be designated with twain works of graphics in each section. Prehistoric Art Conceptualism and Realism Ranging from 75,000 BP to 1500 BP, prehistoric art includes multiple eras and methods. Essentially, prehistoric art is defined as art that was completed by a culture that did not have a spoken language. Without the ability to speak or write to document their legends, history and specific aspects of their culture, ancient civilizations turned to art as a port to capture their legacy (Art History Guide, n.d.). For example, the following picture of the Venus of Willendorf demonstrates how prehistoric art conceptualized the crowning(prenominal ) role of women as the vehicles for reproduction of the human race. With the exaggerated breasts and genitals, this representation of the human form in prehistoric art shows that the concepts of ancient civilizations regarding the human form revolve about around the notion of procreation. While this explanation demonstrates the idea behind conceptualism, the reality of prehistoric art in regard to the human form will be explored when looking at art that represents the realism that was portrayed in prehistoric times. Although topics of reproduction often resulted in embellished pieces to demonstrate fertility, art that portrayed a civilizations way of life often fell into the realism category. For example, the Lascaux Cave Paintings demonstrate how the human form was put into scale in comparison to animals that were hunted to provide food for thought for the civilization. With the more lifelike replicas of human beings, it is clear that when being perceived as hunters, artists of t he prehistoric era wanted to demonstrate these people as they were as they go about the beasts of the day in order to secure food for themselves and their families. For art of this nature, the realism of what was taking place trumped any possible conceptual ideas, as is the opposite when concerning human reproduction. Aegean Art Abstraction According to Ogborn in 2003s Prehistoric Art, this section is comprised of the cultures of Greece, the Cyclades Islands and Crete. Aegean art is heavily influenced by an swipe feel in the sense that nearly all of the pottery, statues and paintings completed during this era portrayed in the human form in a non-obvious manner. In order to demonstrate the abstract nature of this artwork, this section will analyze both a male and female form in art to discuss how humans were represented in art during the Aegean period. Beginning with the statue of the Snake Goddess of the Palace at Knossos in Crete, this ancient art work shows a mystical char in much(prenominal) a way that she is nearly unrecognizable as a person, aside from the clear inclusion of breasts to her figure. The key characteristics to highlight about this statue include the fact that this woman has no legs, no obvious reproductive organs as is common with prehistoric renditions of females and no hands. While her status as a snake goddess seems to formulate the fact of her having